Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit

Leave a comment

Sunny Day, Sweeping the Clouds Away

Now why in the world would I have the theme song from Sesame Street running through my head when this is what greeted us this morning?

Front Yard Holly Bush

Front Yard

Back Yard Suet Feeder Gets Weighed Down

Heavy Snow Weighs Down Tree Limbs

Perhaps it is precisely this April Fool’s Day snow storm that triggered the Sesame Street song. In truth, the song has been bouncing around in my head for the past couple of days. And I think it has more to do with some recent improvements in my health status.


It was one week ago today that I had day surgery at Brigham and Women’s Hospital to remove a fibroid that is believed to have been causing me so much grief these past few months. I had a consult with Dr. Brian Walsh in mid-March to discuss my options. He took one look at my MRI, pointed to the bugger and said “That is what is causing you all this grief.”

A sense of relief washed over me. Could it really be this simple? After being told for years that my only options were to “watch and wait” or have a hysterectomy?

We discussed the specific procedure, a hysteroscopic myomectomy (also known as a hysteroscopic resection) which is a noninvasive form of surgery for this specific type of fibroid. No incisions. No long hospital stay. Just day surgery with IV anesthesia (with painkillers and anti-nausea meds.) I was home by 2:30 in the afternoon.

(Yes the surgical name sounds pretty scary and kind of gross. I’ll spare you the technical gobbledegook. Suffice to say the name comes from the particular surgical instrument used and the name for one layer of the uterine wall. Nuff said.)

Recovery wasn’t too bad; some mild cramping was the worst of it. I laid low, took lots of naps, and watched bad TV. By Monday of this week I was feeling good enough to run some light errands and take short walks.

And today, a week later, I feel back to normal. Definitely a sunny day in spite of the wet snow outside.


Glimmer Spirit Messenger #2

Glimmer Spirit Messenger #2 is the second piece in my new body of work. You can read about Glimmer Spirit Messenger #1 here and what prompted this body of work here.

Glimmer Spirit Messenger #2 started out similarly to #1; a sketch, a head, and building a core body from 13g wire, aluminum foil, hot glue and masking tape. The face for this piece was modeled after a picture I took of myself.

Using myself as the subject helps me to better understand facial structure and movement in various facial expressions. Glimmer #2’s head was sculpted as follows:

From here the body was constructed using 13g wire folded in half, wrapped with aluminum foil and secured with hot glue.

But Glimmer #2 needed a little more support and girth to keep her upright. So I wrapped the body with some masking tape and attached the neck to the head and body.

From here, as with Glimmer #1, I add two layers. One from scrap clay and then the outer layer with colored and embellished polymer clay.

And here is Glimmer Spirit Messenger #2 all dressed and ready to join her sister.

Glimmer Spirit Messenger #2

Glimmer Spirit Messenger #2 has a bit of a military look; epaulletes on the shoulders and 9 pairs of seed beads “laced” together with thin strands of polymer clay.

Glimmer Spirit Messenger #2 also has kernels of gold clay at her base. However, she holds a special pearl in the center of the gold. This area is covered with a small piece of netting for protection.

Glimmer Spirit Messenger #2 is 10.5″ tall and 2.5″ wide at the base


Glimmer Series: Mixed Media Wall Art Prototype

I want to create mixed media wall art pieces as part of the Glimmer Series. As I started to develop this body of work, I had a strong urge to work with beeswax. Don’t ask me why; I have no idea. But the muse said to give it a go and to see what happens.

Ideally I would love to create the mixed media wall pieces on artist panels. I bought a few 4″x4″ panels with a 3/4″ profile last December. Those panels are intended for a different project but they might be incorporated into this body of work.

Anyways, before jumping right in and working on the panels, I created a prototype wall piece on 5″x7″ artist canvas panel. This gave me the chance to play with beeswax, papers, oil paint and polymer clay all on one surface. Beyond that, I didn’t plan out the piece with a sketch and just worked intuitively.

Glimmer of Hope Wall Prototype

I started out by applying beeswax to the canvas, placed a page torn from an old book into the wet wax, and then fused more wax on top. From there I built layers with rice paper, paper beads, and oil paint. I fused tiny pieces of branch around two words from the book: “Changed” and “Beautiful”. The polymer clay face is taken from a mold made of Glimmer #1’s face and painted gold.

When the entire piece was cooled and dry, I highlighted the raised areas with Gilder’s Paste. Gold stamped words “Glimmer” and “Hope” finish this prototype.


New Body of Work: Glimmer Spirit Messenger #1

Glimmer Spirit Messenger #1 is the first in a series that I am creating as part of a larger body of work. This first part is called Glimmer (of Hope.) The Glimmer series developed out of a series of  health issues that I have been dealing with since last November. Specifically, these health issues revolve around that change of life known as perimenopause.

Glimmer Spirit Messenger #1 embodies a time of contemplation, reflection and hope. Below are a series of pictures documenting her creation.

Glimmer #1 starts out with a solemn, contemplative face.

Glimmer #1 Cured Head

I have chosen to paint all the heads gold in this series.

Glimmer #1 Gold

Echoes of the song “Goldfinger” bounce around in my head as I paint. Each head receives two thin washes of gold paint and then a final thicker layer. A wash of burnt sienna acrylic paint completes each head. And then I realized I had a bit of a problem.

Each piece in this series will have an elongated neck representing my struggle to keep my head above it all. But it didn’t dawn on me to add more clay to create the elongated neck until after I had already painted the head. And matching the raw clay to the now painted cured clay could present a minor challenge.

After some measuring and finagling, I constructed the wire core and aluminum foil body and blended the raw clay to the painted gold clay as best as possible.

Glimmer #1 Body Core

Glimmer #1 Clay Core

Another issue I often face in body construction is dealing with balance. My Spirit Messengers seem to either lean forward or tilt backward which usually requires some readjustment of the base. In this series, the elongated necks also present an interesting challenge. I often have to bend and adjust the wire support to the right angle before securing the head to the body. However, I am letting these pieces develop naturally. By that I mean, if the head positions itself at a particular angle, I’m quite likely to go with it.

Glimmer #1 Head

All of the Spirit Messengers in this series will have black bodies. I decided to go with black because the “Glimmer of Hope” appeared at what felt like a very dark time for me. It was like a tiny ray of light poking through dark clouds. Each body will have different embellishments. The gold heads and black bodies will connect all of the pieces.

Glimmer Spirit Messenger #1

Glimmer Spirit Messenger #1

Glimmer #1’s body is embellished with peach colored size 8 seed beads, kernels of gold polymer clay and embossing metal. She has a lightly textured surface.

Spirit Messenger Glimmer #1

The word “Hope” is stamped into the embossing metal. The metal was tinted with a blend of alcohol inks.

Glimmer of Hope

Glimmer Spirit Messenger #1 is 9″ tall and 3.5″ wide at the base.

Next: Glimmer #2.


A New Body of Work: The Glimmer Series

When I was confronted with my health issues late last year, I made a conscious decision to slow down. I also decided to use my artwork as a form of healing. More specifically, I am using my health situation as a muse for my artwork.

I introduced this challenge last week in this video.

Recent events have caused me to relocate my studio and my creative muse has laid quietly while I deal with more doctor’s visits and tests. However, before all this happened, I started documenting my process in the creation of the Glimmer Series.

The Glimmer Series is inspired by this particular picture:

This image is a self portrait that I created in early December in response to receiving the first bit of news that potentially explained what was happening to my body. It was ” A Glimmer of Hope.”

I began this series by sketching some ideas for Spirit Messengers, including faces and bodies. I envisioned different shapes. Some Spirit Messengers are free standing; others want to hang on the wall. Then I sculpted three heads:

Glimmer Heads Pre-Oven

I prefer to use Super Sculpey over aluminum foil. I’ve learned that this keeps the heads from cracking which is especially important when you work on a larger scale. I knew at least one Glimmer Spirit Messenger would have a solemn face. Instead of searching for faces online for inspiration, I decided to take pictures of myself with different facial expressions. Afterall, this series comes from my emotions, so why not use myself, my expressions, as a model?

I was pleasantly surprised how my very first solemn face sculpture turned out.

I don’t know if I’ll be able to recreate another face like this again. But that is also why these are one of a kind pieces.

Another face has puckered lips. A face of concentration or frustration or relief. I’m not quite sure which one.

The last face has a wry smile (and a bit of a bulbous head; oh dear.)

Along with the Spirit Messengers, I plan to create mixed media wall art as part of this series. I’d also like to use fabric and perhaps boxes or other forms for the bodies. My goal is to create 6-8 pieces. I’ve completed two Spirit Messengers so far and will introduce them to you in the next few days.


The Itinerant Artist

Life is up to her old tricks these days, throwing some curve balls into our rather steady day to day activities. I’ve posted several pictures of all the snow we’ve had recently (here and here.)  Last week after back to back storms, the snow and ice took its toll on our house and the ice dams went into overdrive.

As we scurried to stop leaks in two rooms, it was decided that I had to drop the temperature in the studio to 55 degrees in order to keep the top of the house as cool as possible. (Guess that means my studio on its own just wasn’t “cool” enough.) It also meant setting up fans in my studio and a dehumidifier to remove moisture from the ice dams that had seeped into the carpet.

After a couple of days of clearing snow and ice and putting ice melt socks on the roof (which fell off anyways), I decided that I was going to have to relocate my studio for the near future. The process of returning the studio to its normal state is going to take some time and I, sadly, cannot work there in its current condition.

My first reaction to this was similar to this picture I made in Photoshop:


A friend told me it looked like a cover for a “screamo” band. Well, if I can’t make my art in my studio, perhaps I have an alternate career as a screamo band face model.

Moving out of my studio has not been easy. The studio is my sanctuary. It has an energy all its own and in there I can lose myself. Now I was faced with deciding what to bring to my new location. Not an easy task when you’re used to having all your art supplies right at your fingertips.

After a bit of avoidance, I relocated to our dining room. Eric helped me set up a small table and my work chair. I decided not to bring down all my polymer clay. Instead, I’ll bring down what I need as I work on each project. That alone will be an interesting challenge. I also brought down my sketchbooks, paintbrush carousel, my sculpting tools, some pastels, and a few other tools. My laptop and a few business items round out my new temporary space.

And here it is:

New Workspace

The "Office"

Pippin my Supervisor

The cats are enjoying my new set up. They like to jump on the dining room table and peer at me over the edge of my laptop. Woody has also enjoyed playing on the rug under the work table. I admit there are advantages to this new location. It is closer to the bathroom and the kitchen!

As I write this, the leaks have stopped and the carpet in the studio is almost dry. Of course another project remains and that is repair and repainting. I’m not sure when I will move back into my studio.

Health Update

The stress of the ice dams, leaks, and moving my studio has been compounded by my continuing health issues. Plan A, which included a trial on a pill to reset my hormones, has not worked as hoped. Today I had a pelvic MRI, with and without contrast. A pelvic MRI will give an even better look at the fibroids and their location, how many I may really have, and the blood source. Based on the results of the MRI, I am looking at two options, one more favorable than the other. Both of which would bring resolution to the problem.

The MRI itself wasn’t too bad. My first MRI was in 2009 for my back. That was in an older machine and I had to go in head first. For this test, I went to a different location and went into the tube feet first. They placed a foam like grid over my belly/pelvic area. Because I was also having this test done with contrast, an IV was placed in my left arm. When the first procedure was complete, they rolled me out of the MRI tube, hooked up the contrast, I raised my arms over my head, and back in I went. That was the shorter of the two procedures.

I should get the results on Monday and things could move rather quickly after that. I’m making peace with this situation, with my options, and what may lie ahead. It is not easy to give up control over your body and harder still to lay the burden at the hands or feet of something larger than us. I know I am on the road to a solution. Soon a plan will be in place.


Get every new post delivered to your Inbox.

Join 359 other followers