Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


3 Comments

Experiments in Beeswax

The beeswax/encaustic medium has really caught my interest. Last week I spent some time experimenting with beeswax, alcohol inks, gold leaf, and pearl ex powders. I don’t normally dive into a new medium without understanding it a little more. In other words, I’m not always one to experiment with a medium I know very little about. Diving right in seems to fit living my word of the year: BIG.

All of these experiments were done in my mixed media sketch book. I’ve since learned that paper is not the best substrate for beeswax beyond the experimentation stage.

Experiment #1

Everything but the kitchen sink....

Experiment #1 has everything in it: beeswax, gold leaf, alcohol inks, pearl ex powders and swirls created by impressing the wax with an unmounted stamp.

Experiment #2

Feels like autumn....

Experiment #2 includes beeswax, alcohol inks, gold leaf and a texture sheet impressed into the wax. At this point I continue to have problems with the texturing. The wax is peeling off the paper and sticking to the texture sheet (or unmounted stamp as in experiment #1.) In experiment #2 I also tried incising or cutting into the wax with a needle tool. I like the way it directs the alcohol inks.

Experiment #3

Did Monet start out this way?

In experiment #3, I decided to keep it simple and applied three colors of pearl ex powder to the wax surface. I like the way the wax moved and blended the powders. The overall effect is very soft and dreamy.

Experiment #4

Mysterious words

In experiment #4 I started by stamping with black ink onto the sketchbook paper. Then I applied a layer of beeswax, followed by pearl ex powders and another layer of beeswax. Using a fine tip exacto knife, I “wrote” in the beeswax and back filled the marks with alcohol ink.

Experiment #5

The kitchen sink over wood

In this final experiment, I lightly sanded a small piece of wood and applied beeswax, gold leaf, alcohol inks, pearl ex powders, and texture. The wood is definitely a better substrate for the beeswax. I still had a minor problem with the texture plate pulling some wax off the surface. I think this may happen because the wax was still too warm or the layers were not fused well enough. Given that I’m using some very basic tools that don’t have exact temperature controls on them, I guess I shouldn’t be too surprised.

But boy is this fun!


4 Comments

A New Direction-Wall Art

Along with creating my Spirit Messengers and other sculptural artwork, I’ve been experimenting with other ideas to expand my body of work. The reality in today’s art world is that one line, one size, does not fit all. Most artists need to expand their line of work, leverage their skills, and create artwork for a broader audience.

Some options in this area might include cards, small prints, wall art, and jewelry. Offering polymer clay classes is another way for me to leverage my skills as an artist, reach a new audience, share my knowledge and help others ignite their creative muses.

Underwater Studies

Several weeks ago, sometime after the BP oil spill, I was sitting at my work table puttering around with leftover bits of clay. Normally I’d ball up the leftover clay scraps and deposit them into my scrap clay bucket. These bits are often reconditioned into a muddy sheets of clay and used as interior armatures for my Spirit Messengers and other sculptural pieces.

But on this day I followed my intuition. I rolled the various bits into different shapes, poked them, textured them, put one color inside another, and applied them to random sheets of leftover clay. Next thing I knew, I had three miniature underwater studies on my worktable.

Underwater Study #1

Underwater Study #2

Underwater Study #3

Each underwater study measures approximately 1.25″ wide by 2.25″ long, except for study #3 which is closer to 1″ wide by 2″ long.

Of course, as often happens when creating new art, I’m now asking myself what to do next with these pieces. I bought several sheets of luscious cardstock to use as backgrounds. However, these tiny studies need something else to complete them. I’m thinking about another layer of polymer clay, slightly larger than the central piece, placed underneath. And maybe some type of border to frame the central piece.

This is when a bit of experimenting happens. I’ll try one idea. Toss it. Try something else. Toss that one. Maybe go back to the first idea. Eventually I’ll set the whole thing aside until I can look at it again with fresh eyes. That is the current situation with these underwater studies.

Polymer Clay on Canvas

For this next piece I drew inspiration from the artwork of Serena Wilson Stubson that appeared in the May/June issue of Cloth, Paper, Scissors. What drew me to Stubson’s work as it appeared in CPS was her use of circles. I love circles. Round. No beginning. No end. Circle of Life; all that.

However, when I looked at Stubson’s work, I thought, hmm, I’d like to give that a go and incorporate polymer clay into the finished piece.

For my piece, I worked on a 5″x7″ canvas. I applied a page from an old book to the canvas as my base layer. I chose three words from the book page as my inspiration for the title of this piece.

Bewildered Garden Angel

This piece incorporates layers of paper, paint, oil pastels, text on vellum, polymer clay and wire.

I’m not sure if this will go anywhere, as far as becoming a new line in my body of work. But experimenting and playing are important parts in the creative process. Maybe this will morph into something else. Or maybe it will just be a groovy little artwork on canvas.


8 Comments

Prescription for Creativity

I was a bit under the weather toward the end of last week which put a damper on my endeavors to be creative everyday.  Feeling blah and not very motivated,  I wrote myself a prescription for creativity:

prescriptionblog.jpg

Following the requirements of the prescription, I bought some wild socks

crazysocksblog.jpg

Did some doodling (I think I have a thing for circles)

doodle011908blog.jpg

And tried my hand at making paper fabric

paperfabricblog.jpg

The paper fabric was created using directions from Beryl Taylor in her wonderful book Mixed Media Explorations: Blending Paper, Fabric, and Embellishment to Create Inspired Designs.

The prescription seems to have worked.  I’m feeling much better now.  And thanks to Rice Freeman-Zachary’s book, Living the Creative Life, for the inspiration to write that prescription.