Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


Leave a comment

Friday Featured Artist: Maria Pace Wynters

This week’s featured artist is Maria Pace Wynters. Maria is a mixed-media artist from Canada. I first saw her art on Ivy Newport’s blog, GraceandIvy.

I love Maria’s use of color in her paintings and the childlike innocence in many of her portraits. Simply yummy work here.

Check out Maria’s blog and her art here.

Happy Friday!

MariaPaceWynters_faith-trust-and-pixie-dust


4 Comments

Her Name is Cherish

Next up in the Angel painting series, as part of the Angels Among Us online workshop, is “Cherish.”

This painting was created following some of the techniques provided by Deanna Strachan. Deanna was the instructor for week 6.

How did I get to week 6 when the last piece I shared was from week 2? I got bored. The beauty of falling behind in an online class is that you can choose which lessons you want to watch instead of waiting for the upcoming lesson. And since each lesson in Angels Among Us stands alone and is not built one upon the other, you can work chronologically or start wherever you like.

Anyways, I went to Pinterest for inspiration for the sketch of this angel. I found this painting by French artist Louis Treserras. I love this young woman’s face.

AngelFaceInspiration_Week6

And here is my sketch of this young woman’s face.

Week6_AngelFaceSketch

Once the background of my canvas was ready, I transferred this sketch on to the canvas. As with some of the other lessons, it seems to be popular to glue a layer of torn paper onto the canvas first and then paint on top of it. I’m still not sure if I like this technique. It can give you some interesting texture in your background. However, I’ve also had papers peel off and tear away from the canvas. So the jury is still out on this approach.

1CherishSketch_BackgroundCanvas

Face sketch transferred onto background

Oh yes. Now I remember another thing I don’t like about the torn paper backgrounds. When transferring an image, the texture from the torn papers can sometimes muck up the transfer. In this piece the lines of the sketch weren’t lining up. I had to remove as much of the original transfer as I could and then try again. Poor girl’s nose was looking a little twisted and her eyes uneven. Fortunately I knew I could correct some of this once I started painting her face.

2Cherish_FirstLayerFace

First layer face paint

One thing that was fun with this lesson was Deanna’s loose approach to painting. My confidence in painting faces is also improving. The combination of loose paint strokes, better paintbrushes, confidence and wet paint was a recipe for success.

3Cherish_MoreFaceDefinition

A bold lip color

When I got to this point, I thought I would give her a nice, soft lip color. You know. Angelic like lips. Hah! In Deanna’s lesson she used a magenta color with a small amount of black. I didn’t have the exact same color and ended up with a deep purple tone. I figured I could always change it to something lighter if I found it really repulsive.

I didn’t change it. The color makes a bold statement. Cherish owns those lips!

And then came the wings…

4Cherish_WingsOutlined

Now I’m not so sure about this. I think she’s looking more like a fairy than an angel. Not that there is anything wrong with fairies. But this wasn’t quite what I had in mind.

Unfortunately, my brain seemed to be hitting a wall when it came to figuring out a different way to work the wing. It took a few attempts before I finally felt satisfied with it.

5Cherish_WingsPainted

A few more tweaks here and there and then she was complete.

6_CherishAngel

Her Name Is Cherish

7CherishAngel_FaceClose

Cherish


Leave a comment

Friday Featured Artist: Finnabair

They say it’s nice to share. So with that in mind, I’m starting this new feature-The Friday Featured Artist-a periodic blog post on Fridays on a new-to-me-artist.

Today’s featured artist is Anna Dabrowska also known as Finnabair. She is an artist originally from Poland now living in Ireland. I love her melding of Steampunk, mixed media, and collage, and her use of color.

Check out Finnabair’s blog and portfolio here.


5 Comments

A New Angel On The Scene

Dropping in here to share my progress on the first Angel I’m creating in Kara Bullock’s Angels Among Us online workshop. The workshop features 6 artists and 12 weeks of inspired creations.

First, here is the sketch of my angel’s face. She looks good on paper. However, will she look the same or even bear any resemblance to this drawing once I put paint onto the canvas?

Angel Face Sketch

Angel Face Sketch

Instead of hoping I might be able to draw her face free-hand on the canvas, I opted to transfer the original sketch directly onto the canvas. Painting her face is challenge enough.

Sketch Transferred to Canvas

Sketch Transferred to Canvas

Okay, first layer of paint and you can see some resemblance to the sketch. Right? Some sort of modern abstract contemporary thing going on here. Face it (haha, no pun intended. Maybe), this is ugly stage. I am digging her turquoise nose however.

First layer of paint

First layer of paint

More layers. Now she’s kind of rockin’ a Picasso look with that dramatic dark eye.

More layers

More layers

At this point I feel like she has too many layers of paint on her face and I need to move onto a different aspect of the painting. Onto adding her hair and a halo. Just because.

Face, Hair, and Halo

Face, Hair, and Halo

Here is what I’ve learned so far.

  • Using a combination of Liquitex and Golden Fluid acrylic paints may not be the best idea.
  • Be careful if you dampen your paintbrush with water, dry it, then paint again. You will pull up a layer (or layers) paint. Then Angel face looks like she has age marks on her cheeks.
  • Put enough paint on your palette. This is still a challenge for me. I seem to have this mental block between squeezing enough paint onto my palette, not wanting to waste paint, and seeing dollar symbols rise from the paint puddle. You know the issue: “I paid a lot of money for this paint. I can’t waste it!”
  • Using a paint extender can counteract the above problem. And, covering the left over paint with some plastic wrap kept it viable for painting later or the next day.

Angel Face still has a ways to go. I’m way behind in this online workshop. Haven’t even attempted the other lessons yet. Fortunately, we have “lifetime” access to the videos. Maybe I’ll be all caught up by the end of the year.


3 Comments

Art I Created This Summer

I’m embarrassed to see that I haven’t posted an update since the beginning of August. The month passed quicker than I expected. And though I thought about posting something here or there, my priorities were focused elsewhere. So, much like that first essay the teachers used to make us write in grade school, here are some pictures of art that I worked on this summer.

Anemia

Anemia is an art doll that I first wrote about in June. Here are a few pictures of the finished piece. I hope to some day share more about the process of Anemia’s creation.

Anemia-Detail

Anemia-Detail

Anemia-Detail 2

Anemia-Detail 2

Anemia

Anemia

Trees Through The Forest

This piece was first introduced to you during the month of July.

More progress was shared in the early part of August

This piece now hangs at the Nashoba Valley Winery in Bolton, MA in the Bolton Artisans Guild’s display “Themes From Our Town” as part of Bolton’s 275th anniversary celebration. A few pictures of the finished piece is below. (Click on the first photo to start the slide show.)

Inspiration From Nature

As summer moves forward in our garden, I often find interesting mold and fungus sprouting on the mulch. Some of it can be both intriguing and repulsive. For a long time I’ve wanted to make something inspired by these molds and fungi. And this summer, a technique I found in Cynthia Tinapple’s new book, Polymer Clay Global Perspectives, made creating these fungi pods a lot easier.

For lack of a better phrase, as this work in progress as no formal name, this piece is simply inspired by nature.

The Inspiration-Pod Fungus

The Inspiration-Pod Fungus

Creating Hollow Pods

Creating Hollow Pods

A Few Pods with Texture

A Few Pods with Texture

What did you create this summer?


3 Comments

“Trees Through The Forest”-Part 2, The Progress Continues

Though I had all good intentions of posting more frequent updates on the progress of my new wall art, I just wasn’t feeling it. My goal is to write one post a week that is published on Wednesdays. But, to be honest, when I don’t have anything to say, I stay quiet. To paraphrase that old saying “if you don’t have anything new/interesting/inspiring to say…”

In my absence here, I’ve been busy planning a new teaching gig, writing the content for a free tutorial, and videotaping another tutorial. Writing the free tutorial is a whole new experience. Develop the idea, write out the process, take pictures of the steps, edit the pictures, write the process in Keynote (that is what I’ll use to convert the tute into a PDF), proof read, publish. I’ve set a date of August 15 as my deadline and have been working backwards from there to manage the various steps in the process.

Makes my brain ache some days.

BUT! In between all that I have made progress on “Trees Through The Forest.” You can read about the origins of this piece and see its beginnings here.

Part 2: Progress Continues

After I created the disk shapes and added texture to them, I baked them in the oven for 15 minutes. Then I had to decide what paint colors to use as a patina. This helps make the texture marks pop on the clay. For some unknown reason this felt like an agonizing process. Is this what they mean by “suffering” for your art?  No, I didn’t think so.

After the patina process was completed, I used liquid polymer clay to secure any piece that had multiple disks or other components. I let all the pieces sit for several hours while the liquid clay set up. Then everything went back in the oven for one more baking.

Here are the polymer clay disks placed on a blank canvas. The popsicle sticks mark where the tree trunks will eventually be painted.

3TreesThruForest_Polymer Disks

And some detail shots of the disks. (Click on the image to enlarge.)

Now the fun begins with creating the background for this piece. I decided to use a 10″x8″ canvas.

Preparing and Painting the Canvas

First, I applied two coats of Gesso to smooth the surface of the canvas.

10Ready to Gesso the Canvas

While that dried, I picked out the colors for the background. Here I tested them out in my sketchbook so I know they’ll look nice together.

11Color choices for the canvas

Once the Gesso completely dried, I held my breath and applied the paint colors. I’m working intuitively here but still felt a little nervous.

12The painted canvas

Before even painting the colors onto the canvas, I looked at several surface techniques in the book Surface Treatment Workshop by Darlene Olivia McElroy and Sandra Duran Wilson.

I decided upon the plastic wrap resist technique. With this technique, you place a sheet of plastic wrap over the wet paint. You can stretch the plastic into linear patterns or pat it smooth.

Plastic wrap over canvas

Plastic wrap over canvas

Plastic wrap over canvas-detail

Plastic wrap over canvas-detail

See all those lines and bumps? The trick with this technique is to let the paint dry before removing the plastic wrap. The drier the paint, the crisper the texture.

And now the big reveal…..

Paint texture

Paint texture

And a detail shot of the texture:

16Paint texture detail

I was pleasantly surprised with how nice the texture came out.

I’ll leave you with this piece, “Trees Through the Forest,” almost finished.

Almost finished

Almost finished

The edges of the canvas have been painted. Since I took the above picture I removed the popsicle sticks and painted in tree trunks. I’m not sure if I need to add anything else to the canvas, so I’ll let things sit for a day or so. If the muse tells me the piece is done, I’ll put a hanger on the back and attach the polymer disks to the canvas.

I’m going to install this piece on Monday, August 5 so there isn’t much more time to agonize think about it. I’m meeting my deadline which was most important.


4 Comments

“Trees Through The Forest”-New Wall Art Work in Progress

This year marks the 275th anniversary of the town I live in. The celebrations and commemorations started a few weeks ago with a parade, historical tours, hikes on conservation land, bike tours, and a pipe organ dedication at the First Parish Church.

As part of the celebration, members of the Bolton Artisans Guild decided to create artwork inspired by the town’s history. I loved the idea but came up with a big blank slate in the idea department. I thought, “What can I create using polymer clay and mixed media that is inspired by our little town?”

(Why the conundrum? The art is being displayed at the Nashoba Valley Winery and the display space is one wall in the shop. An art doll didn’t seem to be a good match and, the way I sometimes work, it would probably take too long to create.)

Then an idea came to me the other night. I could make a piece of wall art and use pre-stretched canvas as my substrate. Using a design concept that I saw in a Cloth, Paper, Scissors magazine over a year ago, plus my love of circles and disks, I drew my idea in my sketchbook.

Trees thru the Forest Sketch

Trees thru the Forest Sketch

One quality that Bolton is known for is preservation of land. We have a lot of conservation land with many hiking trails. That is the inspiration for this work in progress.

My intent is to depict trees through the four seasons. In order to get the colors I want, I’ve had to break out my color blending notes from the workshop I took with Lindly Haunani several years ago. It has been a good way to get the creative juices flowing too.

This is where I’m at so far in creating the trees:

TreesThruForest_Day1Progress

The “spring” tree will have three different shades of green in flat and concave circles, plus a small bird. “Summer” is represented with similar colors, two birds and baby birds, “Fall” has a Skinner blend convex circle and tiny concave circles representing apples. (Bolton also has several apple orchards.) “Winter” tree will be interpreted with varying shades of green in a scribble cane.

This piece is more contemporary that my usual work. Another good way to stretch that creative muscle. Of course, since I’m doing something that I don’t do all the time, construction of the piece is moving along a little slower than I envisioned. (Isn’t that always the case?)

How much longer? Well, I spent the better part of two hours trying to recreate a particular color for the scribble cane that will become the “winter” tree.

I have no idea what I’ll do with the canvas. Right now I’m thinking a light wash of paint may be enough. I don’t want the background to clash with the trees.

What are you working on these days?

Follow

Get every new post delivered to your Inbox.

Join 394 other followers