Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


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Introducing Snapshots & Memories From Languedoc-Roussillon, A New Series of Artwork

Over the past several weeks, I have been working on a new series of artwork, Snapshots and Memories from Languedoc-Roussillon. This series of artwork was inspired by a trip to an area of France known as the Languedoc-Rousillon region. The Languedoc-Roussillon region is a loosely formed triangle that includes such towns as Albi, Revel, and Toulouse. It is an area steeped in history, with many castles and ruins from the time of the Cathars. It is a magical place.

This series currently features 15 collectible pieces. All of these pieces are created using encaustic medium. Many feature the fusion of polymer-encaustic. That is, the combining of encaustic medium and polymer clay. All of the pieces feature my printmaking or my original photographs. Each image is fused to a board the size of a playing card (2.5″W x 3.5″L). The playing card size board is then mounted onto wood.

Some of the images are presented individually on the wood boards. Other images were combined in double and triple formats. Several of the pieces are additionally embellished with items I purchased at the local Vide Grenier (flea market) during my time in France. All of the artwork is ready to hang.

Arched Shutter_Revel

Chez Castre

Hear No Evil

Le Tournesol_The Sunflower (1)

Le Tournesol_The Sunflower (2)

Shutters de Montolieu

The Key

Weathered Door_Revel

Gnarly Dog_Gnarly Tree

Shutters de Soreze

Weathered Brass Knockers

Doors of Intrigue

France In Blue

Keys of Three

Rest



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New Small Artwork: Keys of Three

Wanted to share my latest small artworks created on Ampersand ATC board:

Keys of Three

And a close up of the middle ATC:

Keys of Three-Detail

Keys of Three are made with encaustic medium, polymer clay, enhanced handmade print, oil paint, and incised.

Keys of Three is part of my new series of artwork, Snapshots and Memories from Languedoc-Rousillion. The artwork in this series will be available first to customers & collectors on my email list.

If you’d like to learn more about these artworks, pricing, and availability, please sign up for my monthly art e-newsletter. To start receiving my newsletter, click on this link and put “Newsletter” in the subject line.


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Skeleton Key Artist Trading Card

I am working on a new series of artwork, Snapshots and Memories from Languedoc-Rousillion. This series of small artworks is inspired by my recent trip to France. You can read about the first two prototype ATCs I created in this earlier blog post.

This last prototype is inspired by skeleton keys.

This piece started out with a different key in the center of the ATC. I chose a print I made during Dayle’s workshop. However, when I added the oil paint to color the encaustic wax, the original image was essentially lost under the paint. The print wasn’t bold enough to compete with the additional color.

So I tried another idea. I sketched over the print of another key with a 1.0 micron pen and applied that image over the original skeleton key.

Skeleton Key ATC

This improved version features encaustic wax colored with phthalo blue oil paint, verdigris and tapestry embossing powders, incising, a polymer clay keyhole, and polymer clay embellishments.

Now I’m ready to dive into the heart of this new series of artwork.

Snapshots and Memories from Languedoc-Rousillion

This new series of artwork will be made available first to those who receive my monthly e-newsletter. The ATCs will be presented in single, double, and triple format, mounted on wood and ready to hang.

If you are interested in learning more about this series, please subscribe to my newsletter via this form my website Amy A. Crawley Fine Art

Until my next post,

A bientot


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Experiments in Beeswax

The beeswax/encaustic medium has really caught my interest. Last week I spent some time experimenting with beeswax, alcohol inks, gold leaf, and pearl ex powders. I don’t normally dive into a new medium without understanding it a little more. In other words, I’m not always one to experiment with a medium I know very little about. Diving right in seems to fit living my word of the year: BIG.

All of these experiments were done in my mixed media sketch book. I’ve since learned that paper is not the best substrate for beeswax beyond the experimentation stage.

Experiment #1

Everything but the kitchen sink....

Experiment #1 has everything in it: beeswax, gold leaf, alcohol inks, pearl ex powders and swirls created by impressing the wax with an unmounted stamp.

Experiment #2

Feels like autumn....

Experiment #2 includes beeswax, alcohol inks, gold leaf and a texture sheet impressed into the wax. At this point I continue to have problems with the texturing. The wax is peeling off the paper and sticking to the texture sheet (or unmounted stamp as in experiment #1.) In experiment #2 I also tried incising or cutting into the wax with a needle tool. I like the way it directs the alcohol inks.

Experiment #3

Did Monet start out this way?

In experiment #3, I decided to keep it simple and applied three colors of pearl ex powder to the wax surface. I like the way the wax moved and blended the powders. The overall effect is very soft and dreamy.

Experiment #4

Mysterious words

In experiment #4 I started by stamping with black ink onto the sketchbook paper. Then I applied a layer of beeswax, followed by pearl ex powders and another layer of beeswax. Using a fine tip exacto knife, I “wrote” in the beeswax and back filled the marks with alcohol ink.

Experiment #5

The kitchen sink over wood

In this final experiment, I lightly sanded a small piece of wood and applied beeswax, gold leaf, alcohol inks, pearl ex powders, and texture. The wood is definitely a better substrate for the beeswax. I still had a minor problem with the texture plate pulling some wax off the surface. I think this may happen because the wax was still too warm or the layers were not fused well enough. Given that I’m using some very basic tools that don’t have exact temperature controls on them, I guess I shouldn’t be too surprised.

But boy is this fun!