Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


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Glimmer Spirit Messenger #2

Glimmer Spirit Messenger #2 is the second piece in my new body of work. You can read about Glimmer Spirit Messenger #1 here and what prompted this body of work here.

Glimmer Spirit Messenger #2 started out similarly to #1; a sketch, a head, and building a core body from 13g wire, aluminum foil, hot glue and masking tape. The face for this piece was modeled after a picture I took of myself.

Using myself as the subject helps me to better understand facial structure and movement in various facial expressions. Glimmer #2’s head was sculpted as follows:

From here the body was constructed using 13g wire folded in half, wrapped with aluminum foil and secured with hot glue.

But Glimmer #2 needed a little more support and girth to keep her upright. So I wrapped the body with some masking tape and attached the neck to the head and body.

From here, as with Glimmer #1, I add two layers. One from scrap clay and then the outer layer with colored and embellished polymer clay.

And here is Glimmer Spirit Messenger #2 all dressed and ready to join her sister.

Glimmer Spirit Messenger #2

Glimmer Spirit Messenger #2 has a bit of a military look; epaulletes on the shoulders and 9 pairs of seed beads “laced” together with thin strands of polymer clay.

Glimmer Spirit Messenger #2 also has kernels of gold clay at her base. However, she holds a special pearl in the center of the gold. This area is covered with a small piece of netting for protection.

Glimmer Spirit Messenger #2 is 10.5″ tall and 2.5″ wide at the base


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New Body of Work: Glimmer Spirit Messenger #1

Glimmer Spirit Messenger #1 is the first in a series that I am creating as part of a larger body of work. This first part is called Glimmer (of Hope.) The Glimmer series developed out of a series of  health issues that I have been dealing with since last November. Specifically, these health issues revolve around that change of life known as perimenopause.

Glimmer Spirit Messenger #1 embodies a time of contemplation, reflection and hope. Below are a series of pictures documenting her creation.

Glimmer #1 starts out with a solemn, contemplative face.

Glimmer #1 Cured Head

I have chosen to paint all the heads gold in this series.

Glimmer #1 Gold

Echoes of the song “Goldfinger” bounce around in my head as I paint. Each head receives two thin washes of gold paint and then a final thicker layer. A wash of burnt sienna acrylic paint completes each head. And then I realized I had a bit of a problem.

Each piece in this series will have an elongated neck representing my struggle to keep my head above it all. But it didn’t dawn on me to add more clay to create the elongated neck until after I had already painted the head. And matching the raw clay to the now painted cured clay could present a minor challenge.

After some measuring and finagling, I constructed the wire core and aluminum foil body and blended the raw clay to the painted gold clay as best as possible.

Glimmer #1 Body Core

Glimmer #1 Clay Core

Another issue I often face in body construction is dealing with balance. My Spirit Messengers seem to either lean forward or tilt backward which usually requires some readjustment of the base. In this series, the elongated necks also present an interesting challenge. I often have to bend and adjust the wire support to the right angle before securing the head to the body. However, I am letting these pieces develop naturally. By that I mean, if the head positions itself at a particular angle, I’m quite likely to go with it.

Glimmer #1 Head

All of the Spirit Messengers in this series will have black bodies. I decided to go with black because the “Glimmer of Hope” appeared at what felt like a very dark time for me. It was like a tiny ray of light poking through dark clouds. Each body will have different embellishments. The gold heads and black bodies will connect all of the pieces.

Glimmer Spirit Messenger #1

Glimmer Spirit Messenger #1

Glimmer #1’s body is embellished with peach colored size 8 seed beads, kernels of gold polymer clay and embossing metal. She has a lightly textured surface.

Spirit Messenger Glimmer #1

The word “Hope” is stamped into the embossing metal. The metal was tinted with a blend of alcohol inks.

Glimmer of Hope

Glimmer Spirit Messenger #1 is 9″ tall and 3.5″ wide at the base.

Next: Glimmer #2.


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Roman Pillar Face Earrings

In the run up to the Bolton Artisans Guild’s 7th annual holiday show this weekend, I found myself playing around with the idea to make earrings.

Yes, earrings. Something I have not done in several years. Perhaps it was working with the students in my Polymer Clay Boot Camp class that triggered this idea. Or maybe it was my desire to try something different.

Whatever it was, I did indeed find myself sketching an idea for earrings. Earrings that were inspired by our recent trip to Italy and influenced by the ruins of Rome and all the sculpture.

The result are these Roman Pillar Face Earrings.

Roman Pillar Face Earrings

Each earring features a face taken from a mold of one my hand sculpted faces or from one of many face molds I’ve collected over the years. The face is mounted to a background of textured pearl and black clay and framed by a rope of twisted black and white clay. After curing and sanding, I applied a patina of black acrylic and then buffed each piece to a nice sheen.

The earrings are 1.5″ long and .5″ wide.

I created two pairs with each face. What I found intriguing was that even though a particular face mold was used multiple times, no two faces ever came out the same. Each pair has its own personality and distinct qualities.

Venetian Mask 1

Venetian Mask 2

Roald 1

Roald 2

Buddha Face 1

Buddha Face 2

Creating these earrings has been a lot of fun. It feels good to create something different from my usual small scale sculptures. Sometimes stepping out of the box and trying a new (or returning to an old) format can ignite ideas for future work as well.