Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


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Snapshots and Memories: An Adventure in Artist Trading Cards

After I return from France, I am embarking on a new art project: Snapshots and Memories from Langeudoc – Rousillon. This art project will focus on the creation of artist trading cards (ATCs) using encaustic medium and polymer clay. The theme for this art project is capturing the essence of the Langeudoc – Rousillon region in France.

ATCs are the size of trading cards and can be created from just about any medium, including felt, polymer clay, paper, fiber, or some combination of mixed mediums. You can read about the history of ATCs here.

This past week I delved into this project by creating two prototype ATCs. This was my time to practice my approach to creating the ATCs, practicing with the encaustic medium, and generating ideas of what types of images I’ll be looking for in France.

Below are pictures of the prototypes.

Le Tournesol "Sunflower" ATC

Le Tournesol ATC Detail

Le Tournesol was created on Ampersand ATC Encaustic board. Materials: Napkin, encaustic medium, polymer clay, oil paint, alcohol inks, mica powder, metal stamp letters.

Le Chat Noir ATC

Le Chat Noir ATC Detail

Le Chat Noir was created on Ampersand ATC Encaustic board. Materials: French dictionary page, found images, encaustic medium, polymer clay, alcohol inks, oil paint, metallic rub-on, texture plate.

The ATCs will be mounted on wood in single, double, and triple layout.


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New Wall Art: Within 1

About a week ago I wrote a post about an evolving idea where I shared how I went from one conceptual idea that failed, to another idea which really sent the creative muse into overdrive.

With a new vision in mind, I proceeded to take one of the new polymer clay focal disks I created and combined it with a beeswax design applied to an artist board.

Here is the artist board with colored beeswax before attaching the polymer clay focal disk:

"Within 1" artist board

I applied several layers of beeswax to the board, incised the circles and lines, and then colored the surface with alcohol inks.

Then I added a polymer clay focal disk:

"Within 1"

I’m really happy with the way this first piece turned out.

Abstract art is a completely new area for me to explore. It isn’t something I’m typically drawn to. But like I said, I really like this new combination of polymer clay and beeswax and I really like making these focal disks. Trying something completely new and different also falls in line with choosing the word BIG as my word of the year.


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Experiments in Beeswax

The beeswax/encaustic medium has really caught my interest. Last week I spent some time experimenting with beeswax, alcohol inks, gold leaf, and pearl ex powders. I don’t normally dive into a new medium without understanding it a little more. In other words, I’m not always one to experiment with a medium I know very little about. Diving right in seems to fit living my word of the year: BIG.

All of these experiments were done in my mixed media sketch book. I’ve since learned that paper is not the best substrate for beeswax beyond the experimentation stage.

Experiment #1

Everything but the kitchen sink....

Experiment #1 has everything in it: beeswax, gold leaf, alcohol inks, pearl ex powders and swirls created by impressing the wax with an unmounted stamp.

Experiment #2

Feels like autumn....

Experiment #2 includes beeswax, alcohol inks, gold leaf and a texture sheet impressed into the wax. At this point I continue to have problems with the texturing. The wax is peeling off the paper and sticking to the texture sheet (or unmounted stamp as in experiment #1.) In experiment #2 I also tried incising or cutting into the wax with a needle tool. I like the way it directs the alcohol inks.

Experiment #3

Did Monet start out this way?

In experiment #3, I decided to keep it simple and applied three colors of pearl ex powder to the wax surface. I like the way the wax moved and blended the powders. The overall effect is very soft and dreamy.

Experiment #4

Mysterious words

In experiment #4 I started by stamping with black ink onto the sketchbook paper. Then I applied a layer of beeswax, followed by pearl ex powders and another layer of beeswax. Using a fine tip exacto knife, I “wrote” in the beeswax and back filled the marks with alcohol ink.

Experiment #5

The kitchen sink over wood

In this final experiment, I lightly sanded a small piece of wood and applied beeswax, gold leaf, alcohol inks, pearl ex powders, and texture. The wood is definitely a better substrate for the beeswax. I still had a minor problem with the texture plate pulling some wax off the surface. I think this may happen because the wax was still too warm or the layers were not fused well enough. Given that I’m using some very basic tools that don’t have exact temperature controls on them, I guess I shouldn’t be too surprised.

But boy is this fun!


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Glimmer Series: Mixed Media Wall Art Prototype

I want to create mixed media wall art pieces as part of the Glimmer Series. As I started to develop this body of work, I had a strong urge to work with beeswax. Don’t ask me why; I have no idea. But the muse said to give it a go and to see what happens.

Ideally I would love to create the mixed media wall pieces on artist panels. I bought a few 4″x4″ panels with a 3/4″ profile last December. Those panels are intended for a different project but they might be incorporated into this body of work.

Anyways, before jumping right in and working on the panels, I created a prototype wall piece on 5″x7″ artist canvas panel. This gave me the chance to play with beeswax, papers, oil paint and polymer clay all on one surface. Beyond that, I didn’t plan out the piece with a sketch and just worked intuitively.

Glimmer of Hope Wall Prototype

I started out by applying beeswax to the canvas, placed a page torn from an old book into the wet wax, and then fused more wax on top. From there I built layers with rice paper, paper beads, and oil paint. I fused tiny pieces of branch around two words from the book: “Changed” and “Beautiful”. The polymer clay face is taken from a mold made of Glimmer #1’s face and painted gold.

When the entire piece was cooled and dry, I highlighted the raised areas with Gilder’s Paste. Gold stamped words “Glimmer” and “Hope” finish this prototype.