Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


2 Comments

Youth, Maiden, Mother, Crone

I don’t remember when I first heard the word “crone” in reference to older women. I do remember, however, thinking it was a horrible word. Just what an older woman wants to be called-a “crone.” Seemed to rank right up there with the words “spinster,” “hag,” and “old lady.”

Ironically, I find myself now facing that “crone” phase of life. It is a time of life that I am doing my best to embrace.

So where do the names come from? They seem to originate from Pagan or Wicca traditions. The Maiden is the young girl or woman who is full of enthusiasm, youthful ideas, and new beginnings. The Mother represents fertility, abundance, and growth. Finally, there is The Crone, the wise woman. Each phase represents a specific period in a woman’s life.

Prior to starting Flora Bowley’s Bloom True online class, I started painting on an 8″x11″ canvas. After I applied the initial layers of paint, my inner voice said to me “Crone. The name of this piece is Crone.”

Um, okay. I was simply calling it “Three Yellow Orbs.”

“And add a circle of cream colored paint right there” my inner voice said as I looked at the wet canvas.

Here is the canvas with the initial layers (when this conversation happened.) Do you see what my inner voice was telling me?

3YellowOrbs_8x10_Pt1

I’ve learned over time that listening to my inner voice, my intuition, is usually a good thing. The trick is not to react emotionally to that voice. I try my best to say “okay” or “hmm” first; to at least acknowledge it.

The next day I came back to the canvas and went to work. I let my intuition guide the process-choosing colors, writing words, adding paint and removing paint. The word “crone” stayed fixed in my mind, as did the words “youth,” “maiden,” and “mother.”

Finally, the painting was finished. I didn’t want to add any more lines or words or images. Here is what was appeared on the canvas.

Youth, Maiden, Mother, Crone (top third of painting)

Youth, Maiden, Mother, Crone (top third of painting)

Middle third of painting

Middle third of painting

Bottom third of painting

Bottom third of painting

Youth Maiden Mother Crone (Amy A. Crawley, 2014)

Youth Maiden Mother Crone
(Amy A. Crawley, 2014)

I really have no idea what some of the various marking and shapes mean. I’m not sure if it has to mean anything. It simply is.

If you’d like to read more about these phases of a woman’s life, check out The Three Stages of a Woman’s Life by Linda E. Savage.

______________________________________________________________________________________

I’m now into the second week of Flora’s online class. I’m learning a lot and having several a-ha moments. I’ll share my progress in my next blog post.


4 Comments

Imbolc and Feast of St. Brigid

Imbolc, also known as Candlemas, begins at sundown on February 1 and ends at sundown on February 2. It also runs concurrently with the feast of St. Brigid.

There is much to read about Imbolc and the feast of St. Brigid, so I won’t add more to that. Except to point you to one of my favorite descriptions about this holiday by Waverly Fitzgerald on her School of the Seasons website. And a post I wrote on Imbolc back in 2008.

I also came across this lovely song about St. Brigid by Celia, which prompted me to put together this post.

I listened to this song a couple of times and danced around the studio while it played. Moving the body is a great way to invite the creative muse to come and play. It also seemed appropriate because Brigid is also associated with creativity and creative ideas.

After dancing around the studio, I created this watercolor painting of St. Brigid in honor of her feast day.

St. Brigid Keeper of the Flame

St. Brigid
Keeper of the Flame

Working intuitively, this painting came together in less than 2 hours. I love when I can dive in and let the creative flow happen. Sketching comes easily. Choosing colors of paint is less stressful. The negative voice becomes quieter when it knows I’m not listening to it.

If you enjoyed Brigid’s song above and want to sing along, the version below includes the words.

Brigid so beautiful. Brigid so powerful.

Goddess Brigid, peace weaver, healer, poet, queen. Melt the snow and bring the spring.


8 Comments

Experiments in Intuitive Painting

A year ago, in February, I pulled some muscles in my back and spent several weeks recovering. I call that time period the “Universe tried to kick me in the a** and missed” month. During that February, I spent time learning about  St. Hildegard of Bingen. One of the practices I engaged in was creating mandalas or other forms of painting images inspired by daily readings and prompts.

It was during this time that I reawakened my love of painting and sketching. I also became more intrigued with using words or phrases as the catalyst for the pieces I created.

Fast forward several months. I’m pondering what direction my art wants to take me. Polymer clay is still my first love. But, realistically, sculpting is not agreeing with my hands. After a few hours, I can feel my thumb joints starting to ache. I am reminded of that time in February. I find an old email that contains a video interview with Chris Zydel of Creative Juices Arts. I remember being intrigued with the concept of intuitive painting the first time I heard about Chris and her work.

I start poking around the Internet for information on intuitive painting. Fortunately, I didn’t have to go too far down that rabbit hole before I found Flora Bowley’s website. I’m drawn in by what I see & read.

A few clicks later and I’ve ordered her book and some tempera paints to play with.

As my holiday show schedule came to a close, I set aside some time to read Flora’s book and play with my paints. I chose the tempera paints because they’re relatively inexpensive and figured it would be a good place to start playing with this form of painting. I also didn’t want to waste the few acrylic paints I did have on this experiment.

So I pulled out an unused watercolor pad, tore off a few pages, and began to play. Here are the first few intuitive paintings I created using those tempera paints.

Experiments with Tempera Paint

Intuitive Painting #1

Intuitive Painting #1

Intuitive Painting #2

Intuitive Painting #2

Angels in the Mist

Angels in the Mist

Flying Blue

Flying Blue

Tempera paints are, um, interesting. They dry pretty quick and don’t mix well unless you immediately put wet paint on top of wet paint. Granted the watercolor paper probably wasn’t the best substrate. But, you rock what you’ve got when you’re experimenting and playing with a new medium.

The Acrylics Arrive

A Christmas gift to myself was a sampler set of Liquitex soft body acrylics, plus a few other assorted colors, and a new assortment of paint brushes. Now I was ready to give this intuitive painting play some serious attention.

Here are two pieces in progress using the acrylic paints. Each is on a 5″x7″ canvas panel.

"Cellular"

“Cellular”

"Two Faces"

“Two Faces”

The acrylics are, for the most part, fun to use. The colors are more vibrant and tend to blend better than the temperas. I am having some interesting results when I spray water on the Liquitex paint. It often lifts right off the canvas, leaving behind either small water spots or larger blank spots. Sometimes the color layer underneath is retained. Sometimes it pulls right down to the white canvas.

I consider it a happy “accident” and try to work the effect into the overall painting. After all, I am trying to do this intuitively.

During this time I also signed up for Flora’s online course, BloomTrue

It was a slightly spontaneous decision. I had read about the course last fall. Then a couple friends recently told me about their experience taking the class. It started to feel like the Universe was putting it out there for me to make a choice. So I listened. Class starts February 10. I can’t wait to delve deeper into the process and share more paintings with you.


Leave a comment

My 2014 Word of the Year-Transform

Most years I choose a word to guide me through the year. Sometimes the word is a good choice. Sometimes not so much.  The process for choosing a word isn’t terribly scientific.  I’ve used Christine Kane’s approach to chose a word. I chosen from random words that pop in my head.

This year I was guided by a more spiritual-intuitive process from Christine Valters Paintner of Abbey of the Arts. This was a 12-day mini-retreat which included daily emails that provided a daily practice to help you contemplate potential words. What was different with this process, for me, is that it wasn’t about ME CHOOSING a word. Rather, it was about a word CHOOSING ME.

There is a difference.

When we choose a word, we’re looking and striving for THE word. We want it to be perfect. We obsess. Our little noggins say “this is the word that I want.”

When we allow time for a word to choose us, we, hopefully, let go of ego and let our intuition guide the process. We must let go of expectations (the perfect word) and listen to what stirs internally. Words that excite. Words that make us uncomfortable. Words that call us to grow.

So, for 12 days, I paid attention to words & phrases that appeared frequently in readings. I wrote down words that resonated with me. Words that made me uncomfortable. I made note of synchronicities.

At first, I thought my word would be “possibilities” or “possible” as in “With you all things are possible.” After surviving several losses over the past 18 months, I was feeling that in 2014 anything is possible, both good and not so good.

Then I paid more attention to other words that appeared and resonated with me. And the one word that appeared over and over was transform.

Transform means to change markedly the form or appearance of; to change the nature, function or condition of. It comes from the Old French “transformer” and Latin “transformare.” The prefix trans means “across.” So trans-form would be taking the normal mode of behavior “across” into a whole new form.

The word is quite fitting. During that 18 month period with one loss after the other, I started to question many things, from the meaning of life to the meaning of my work. I turned inward and gradually began working on my spiritual development. I thought more about what really makes me happy in life.

Now that we have started a new year, it truly is a time of new beginnings. It may sound cliche but I think of the caterpillar who cocoons and turns into a butterfly. Much work is being done internally in that cocoon. And when the butterfly emerges a wonderful transformation has occurred.

I feel I am gradually emerging from my cocoon. I have made changes in my business plan for 2014, such as not doing any art shows and closing my ArtFire Online Studio account. I’m looking forward to spending more time on personal & spiritual development. And I’m gradually starting to paint again.

So here is to 2014. A year to transform. A year of transformation.

Hanging Around in Sedona

Hanging Around in Sedona


Leave a comment

Welcome 2014

SunThruTreesI have been spending the past week reflecting on the past year, waiting for my word for the year to find me, and setting new intentions for 2014.

Below, I share with you two questions that were posed during my meditation today. They are good questions to consider as we begin again in 2014.

What was the most life giving for you in 2013? Where in your body do you feel these memories? As you recall these memories, remember them with gratitude.

What was the most life draining for you in 2013? Where in your body do you feel these memories? As you recall these memories, remember to forgive.

If you are so inclined, feel free to share your answers in the comments below.


3 Comments

Art I Created This Summer

I’m embarrassed to see that I haven’t posted an update since the beginning of August. The month passed quicker than I expected. And though I thought about posting something here or there, my priorities were focused elsewhere. So, much like that first essay the teachers used to make us write in grade school, here are some pictures of art that I worked on this summer.

Anemia

Anemia is an art doll that I first wrote about in June. Here are a few pictures of the finished piece. I hope to some day share more about the process of Anemia’s creation.

Anemia-Detail

Anemia-Detail

Anemia-Detail 2

Anemia-Detail 2

Anemia

Anemia

Trees Through The Forest

This piece was first introduced to you during the month of July.

More progress was shared in the early part of August

This piece now hangs at the Nashoba Valley Winery in Bolton, MA in the Bolton Artisans Guild’s display “Themes From Our Town” as part of Bolton’s 275th anniversary celebration. A few pictures of the finished piece is below. (Click on the first photo to start the slide show.)

Inspiration From Nature

As summer moves forward in our garden, I often find interesting mold and fungus sprouting on the mulch. Some of it can be both intriguing and repulsive. For a long time I’ve wanted to make something inspired by these molds and fungi. And this summer, a technique I found in Cynthia Tinapple’s new book, Polymer Clay Global Perspectives, made creating these fungi pods a lot easier.

For lack of a better phrase, as this work in progress as no formal name, this piece is simply inspired by nature.

The Inspiration-Pod Fungus

The Inspiration-Pod Fungus

Creating Hollow Pods

Creating Hollow Pods

A Few Pods with Texture

A Few Pods with Texture

What did you create this summer?


3 Comments

“Trees Through The Forest”-Part 2, The Progress Continues

Though I had all good intentions of posting more frequent updates on the progress of my new wall art, I just wasn’t feeling it. My goal is to write one post a week that is published on Wednesdays. But, to be honest, when I don’t have anything to say, I stay quiet. To paraphrase that old saying “if you don’t have anything new/interesting/inspiring to say…”

In my absence here, I’ve been busy planning a new teaching gig, writing the content for a free tutorial, and videotaping another tutorial. Writing the free tutorial is a whole new experience. Develop the idea, write out the process, take pictures of the steps, edit the pictures, write the process in Keynote (that is what I’ll use to convert the tute into a PDF), proof read, publish. I’ve set a date of August 15 as my deadline and have been working backwards from there to manage the various steps in the process.

Makes my brain ache some days.

BUT! In between all that I have made progress on “Trees Through The Forest.” You can read about the origins of this piece and see its beginnings here.

Part 2: Progress Continues

After I created the disk shapes and added texture to them, I baked them in the oven for 15 minutes. Then I had to decide what paint colors to use as a patina. This helps make the texture marks pop on the clay. For some unknown reason this felt like an agonizing process. Is this what they mean by “suffering” for your art?  No, I didn’t think so.

After the patina process was completed, I used liquid polymer clay to secure any piece that had multiple disks or other components. I let all the pieces sit for several hours while the liquid clay set up. Then everything went back in the oven for one more baking.

Here are the polymer clay disks placed on a blank canvas. The popsicle sticks mark where the tree trunks will eventually be painted.

3TreesThruForest_Polymer Disks

And some detail shots of the disks. (Click on the image to enlarge.)

Now the fun begins with creating the background for this piece. I decided to use a 10″x8″ canvas.

Preparing and Painting the Canvas

First, I applied two coats of Gesso to smooth the surface of the canvas.

10Ready to Gesso the Canvas

While that dried, I picked out the colors for the background. Here I tested them out in my sketchbook so I know they’ll look nice together.

11Color choices for the canvas

Once the Gesso completely dried, I held my breath and applied the paint colors. I’m working intuitively here but still felt a little nervous.

12The painted canvas

Before even painting the colors onto the canvas, I looked at several surface techniques in the book Surface Treatment Workshop by Darlene Olivia McElroy and Sandra Duran Wilson.

I decided upon the plastic wrap resist technique. With this technique, you place a sheet of plastic wrap over the wet paint. You can stretch the plastic into linear patterns or pat it smooth.

Plastic wrap over canvas

Plastic wrap over canvas

Plastic wrap over canvas-detail

Plastic wrap over canvas-detail

See all those lines and bumps? The trick with this technique is to let the paint dry before removing the plastic wrap. The drier the paint, the crisper the texture.

And now the big reveal…..

Paint texture

Paint texture

And a detail shot of the texture:

16Paint texture detail

I was pleasantly surprised with how nice the texture came out.

I’ll leave you with this piece, “Trees Through the Forest,” almost finished.

Almost finished

Almost finished

The edges of the canvas have been painted. Since I took the above picture I removed the popsicle sticks and painted in tree trunks. I’m not sure if I need to add anything else to the canvas, so I’ll let things sit for a day or so. If the muse tells me the piece is done, I’ll put a hanger on the back and attach the polymer disks to the canvas.

I’m going to install this piece on Monday, August 5 so there isn’t much more time to agonize think about it. I’m meeting my deadline which was most important.

Follow

Get every new post delivered to your Inbox.

Join 349 other followers