Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


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Imbolc and Feast of St. Brigid

Imbolc, also known as Candlemas, begins at sundown on February 1 and ends at sundown on February 2. It also runs concurrently with the feast of St. Brigid.

There is much to read about Imbolc and the feast of St. Brigid, so I won’t add more to that. Except to point you to one of my favorite descriptions about this holiday by Waverly Fitzgerald on her School of the Seasons website. And a post I wrote on Imbolc back in 2008.

I also came across this lovely song about St. Brigid by Celia, which prompted me to put together this post.

I listened to this song a couple of times and danced around the studio while it played. Moving the body is a great way to invite the creative muse to come and play. It also seemed appropriate because Brigid is also associated with creativity and creative ideas.

After dancing around the studio, I created this watercolor painting of St. Brigid in honor of her feast day.

St. Brigid Keeper of the Flame

St. Brigid
Keeper of the Flame

Working intuitively, this painting came together in less than 2 hours. I love when I can dive in and let the creative flow happen. Sketching comes easily. Choosing colors of paint is less stressful. The negative voice becomes quieter when it knows I’m not listening to it.

If you enjoyed Brigid’s song above and want to sing along, the version below includes the words.

Brigid so beautiful. Brigid so powerful.

Goddess Brigid, peace weaver, healer, poet, queen. Melt the snow and bring the spring.


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Experiments in Intuitive Painting

A year ago, in February, I pulled some muscles in my back and spent several weeks recovering. I call that time period the “Universe tried to kick me in the a** and missed” month. During that February, I spent time learning aboutĀ  St. Hildegard of Bingen. One of the practices I engaged in was creating mandalas or other forms of painting images inspired by daily readings and prompts.

It was during this time that I reawakened my love of painting and sketching. I also became more intrigued with using words or phrases as the catalyst for the pieces I created.

Fast forward several months. I’m pondering what direction my art wants to take me. Polymer clay is still my first love. But, realistically, sculpting is not agreeing with my hands. After a few hours, I can feel my thumb joints starting to ache. I am reminded of that time in February. I find an old email that contains a video interview with Chris Zydel of Creative Juices Arts. I remember being intrigued with the concept of intuitive painting the first time I heard about Chris and her work.

I start poking around the Internet for information on intuitive painting. Fortunately, I didn’t have to go too far down that rabbit hole before I found Flora Bowley’s website. I’m drawn in by what I see & read.

A few clicks later and I’ve ordered her book and some tempera paints to play with.

As my holiday show schedule came to a close, I set aside some time to read Flora’s book and play with my paints. I chose the tempera paints because they’re relatively inexpensive and figured it would be a good place to start playing with this form of painting. I also didn’t want to waste the few acrylic paints I did have on this experiment.

So I pulled out an unused watercolor pad, tore off a few pages, and began to play. Here are the first few intuitive paintings I created using those tempera paints.

Experiments with Tempera Paint

Intuitive Painting #1

Intuitive Painting #1

Intuitive Painting #2

Intuitive Painting #2

Angels in the Mist

Angels in the Mist

Flying Blue

Flying Blue

Tempera paints are, um, interesting. They dry pretty quick and don’t mix well unless you immediately put wet paint on top of wet paint. Granted the watercolor paper probably wasn’t the best substrate. But, you rock what you’ve got when you’re experimenting and playing with a new medium.

The Acrylics Arrive

A Christmas gift to myself was a sampler set of Liquitex soft body acrylics, plus a few otherĀ assorted colors, and a new assortment of paint brushes. Now I was ready to give this intuitive painting play some serious attention.

Here are two pieces in progress using the acrylic paints. Each is on a 5″x7″ canvas panel.

"Cellular"

“Cellular”

"Two Faces"

“Two Faces”

The acrylics are, for the most part, fun to use. The colors are more vibrant and tend to blend better than the temperas. I am having some interesting results when I spray water on the Liquitex paint. It often lifts right off the canvas, leaving behind either small water spots or larger blank spots. Sometimes the color layer underneath is retained. Sometimes it pulls right down to the white canvas.

I consider it a happy “accident” and try to work the effect into the overall painting. After all, I am trying to do this intuitively.

During this time I also signed up for Flora’s online course, BloomTrue

It was a slightly spontaneous decision. I had read about the course last fall. Then a couple friends recently told me about their experience taking the class. It started to feel like the Universe was putting it out there for me to make a choice. So I listened. Class starts February 10. I can’t wait to delve deeper into the process and share more paintings with you.