Musings from the Moonroom

Thoughts on Art, Inspiration, Creativity and Spirit


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Going Back to the Beginning

One of the early exercises in “Let’s Face It” is to look back at some of the face sketches, drawings or paintings that we created early on in our creative journey. It’s a great exercise to remind us of where we started and where we’re going. It will also help us see our progress throughout the course this year.

So I thought it might be amusing to share with you some of my early face drawings and paintings. It’s okay to laugh or cringe at some of these faces. I do the same thing when I look at them.

Turn on the Way Back Machine, Mr. Peabody

These drawings were created about 6 years ago. I was dealing with some health issues and used art to work through that process. This was my self-portrait. The question mark represented not knowing what would come next in this situation.

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I hated drawing noses and almost always placed the eyes too high on the head.

Ironically, I made sculptural pieces, my Spirit Messengers and Ornimals, for several years. But many of those pieces had heads/faces that were imaginative and not all were based on humans.

Fast Forward

Now it is 2013. I’m taking a non-art related class though we are creating mandalas or other forms of expression in response to readings. Here I decided to create my first “portraits” in many years.

 

I notice how much I enjoyed creating these pieces. Not anywhere near “perfect” but it reminds me how much I like drawing and painting.

As time progresses, I stop making sculptural pieces and turn my focus to sketching, drawing and painting. I start finding sources with instruction and guidance on drawing faces. (Waaaay too many resources, in fact.)

However, that doesn’t mean lady confidence emerges and my paintings of faces magically appear on the canvas. Hardly.

In these two paintings from 2014, I found myself quite afraid to paint eyes and noses. Again. Instead of taking the risk that I might completely mess up the faces, I found it easier to give the appearance of eyes (or eyelids). That perfectionist voice inside, the one who says “You should know how to do this” appeared to win this round.

Breakthrough

Finally, in 2015, my love of drawing faces and the desire to put in the effort to improve my skill comes full circle. I buy Pam Carricker’s book, “Mixed Media Portraits. I sign up for online classes. I’m invited to participate in a sketching group.

Now the practice begins to pay off.

Where is this leading?

Even though I took art classes during all four years in high school and had a basic knowledge of how to draw a face, I found that it was easier to avoid drawing or painting a face at all costs. Perhaps it was some old memory of being told I “couldn’t” draw that kept me from creating faces. Or old lady perfection who was more worried about screwing up the facial features instead of just playing and experimenting.

What I can say is that if you also love to draw faces, then by all means, draw those faces. There are many resources out there with tips and tricks to get you started. Yes, practice is important, whether it’s every day or a few times a week.

It’s also important, I think, that you try really hard to get past the worry that the face you’re drawing won’t look like whomever. I told myself early on that I wasn’t going for perfect portraiture. I’m developing my own style and you should too. Make your face drawings whimsical. Make them caricatures. Give them green hair and purple eyes. Have fun with it.

In both the “Let’s Face It” class and “Drawn to Expression” I’m feeling better about interpreting the faces in a way that fits my style. Whatever that style is at this time. Finding a “style” or “expression” doesn’t happen overnight for most of us. It takes practice (which, for practice sake, might include copying). It takes having an open mind and a willingness to play and experiment. It’s an ongoing learning process.

 

 

 

 

 

 

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Getting Sketchy. Getting Messy

Okay, well, where has the time gone? Each week I put “blog post” on my to-do list. And each week passes right by without writing an update.

With this new month of the new year, I’ve been busy with my volunteer work, which has brought with it a couple new responsibilities, and also taking two online classes. (Actually, I signed up for three online classes. But the third one is a free class, and, honestly, the two that I paid for are my priority.)

So, what are these two online classes?

The first class is called Drawn to Expression with UK artist Gillian Lee Smith. I absolutely love this class and it is getting most of my attention right now. This class is more process & technique based than product-outcome based. I love that I’m learning to use new-to-me materials, like charcoal sticks, graphite powder, Conte sticks, and pastels. And trying to become more expressive in my work.

The other class is Lets Face It with Kara Bullock and 15 other mixed media artists. Kara also lead the “Angels Among Us” online class that I took last fall. In “Lets Face It” the topic is faces. Full on face portrait, side view, 3/4, as well as portraiture with bust, hands, and even a full figure. This class runs the whole year and is chock full of information, process, technique, and final product.

Drawn to Expression: Week One

Most of the work I’ve created since the classes started has been in DoE. So that is where I’ll start.

We’re two weeks into the class but I’m still working through the first week’s lessons. Of course.

We started by sketching a household object. Something with interesting angles or curves. These early exercises are timed. The time limit keeps you from getting stuck in the details.

10 minute sketch-Household object

From here Gillian takes us through a variety of exercises to help us loosen up as we work with our materials-charcoal, charcoal pencil, graphite pencils, Conte crayon, and pastels. I haven’t practiced drawing this much since high school art class. It has been a great practice. I actually *want* to get into the studio to sketch or draw.

Portrait Practice

The first week has also included practice in sketching portraits. Or at least the “hint” of a portrait. When exercises are timed at 30 seconds, then one minute, then five minutes, an impression of a face is about all you get.

30 Second Portraits

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One Minute Portraits

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Five Minute Portraits

When I started this exercise, I stood, frozen, in front of the paper. Literally. I could feel myself stop and not know where to begin. “How the heck am I supposed to draw a face in 5 minutes?,” I thought. What about those guide-lines I’m so used to putting on the paper first? I don’t remember how to draw a face!

Well that moment took up about a minute of my allotted time. The result being the first picture in the upper left corner above. Gradually, I loosened up and was able to start making sketchy, flowing lines.

Now, I love this as a warm-up exercise or to simply practice, to get your hands moving, and get something onto the paper if I don’t have a lot of time to spend in the studio. It’s a great way to get out of your head and to not worry about details and accuracy. It’s PRACTICE. Not a finished piece for exhibit or sale.

20 Minute+ Portrait Sketches

This exercise culminates with a 20 minute or longer portrait sketch. Now you get more time to delve deeper and explore a particular area in your portrait sketch. It’s kind of a balance between having the right amount of time and too much time before you get hung up in picky little details. That is, self-editing and knowing when to stop. (Or as Flora Bowley says “Spiral in, spiral out.”)

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First 20 minute portrait sketch

In this first attempt, I was more hung up on the materials, especially the graphite powder and trying to build layers. This was created on Bristol board. The surface was a bit too smooth.

Day2.20minutesketchB

Second 20 minute portrait sketch

Now I’m getting used to the materials and also the technique. I like the highlights on his chin, nose, and under the right eye. But the darks are too dark, I think. It doesn’t feel like I’m building the layers slowly and gradually enough to give the portrait a more “mysterious” feel.

Day2.40minutesketch

40 minute portrait sketch

Okay, now I think I’m getting the hang of it. I decided to very lightly sketch in some guide lines for this face first, then added in successive layers of graphite powder. I’m learning I have to add in some darker areas, then remove some of them to get the depth.

I really like the highlight on her lower lip and on the philtrum under her nose; on the right eyelid, and around her right nostril. I also like the dark shadow under her chin at the top of her neck and the light area directly below it. She looks serious and pensive. And her face isn’t even finished. It doesn’t have to be completely finished.