Though I had all good intentions of posting more frequent updates on the progress of my new wall art, I just wasn’t feeling it. My goal is to write one post a week that is published on Wednesdays. But, to be honest, when I don’t have anything to say, I stay quiet. To paraphrase that old saying “if you don’t have anything new/interesting/inspiring to say…”
In my absence here, I’ve been busy planning a new teaching gig, writing the content for a free tutorial, and videotaping another tutorial. Writing the free tutorial is a whole new experience. Develop the idea, write out the process, take pictures of the steps, edit the pictures, write the process in Keynote (that is what I’ll use to convert the tute into a PDF), proof read, publish. I’ve set a date of August 15 as my deadline and have been working backwards from there to manage the various steps in the process.
Makes my brain ache some days.
BUT! In between all that I have made progress on “Trees Through The Forest.” You can read about the origins of this piece and see its beginnings here.
Part 2: Progress Continues
After I created the disk shapes and added texture to them, I baked them in the oven for 15 minutes. Then I had to decide what paint colors to use as a patina. This helps make the texture marks pop on the clay. For some unknown reason this felt like an agonizing process. Is this what they mean by “suffering” for your art? No, I didn’t think so.
After the patina process was completed, I used liquid polymer clay to secure any piece that had multiple disks or other components. I let all the pieces sit for several hours while the liquid clay set up. Then everything went back in the oven for one more baking.
Here are the polymer clay disks placed on a blank canvas. The popsicle sticks mark where the tree trunks will eventually be painted.
And some detail shots of the disks. (Click on the image to enlarge.)
Now the fun begins with creating the background for this piece. I decided to use a 10″x8″ canvas.
Preparing and Painting the Canvas
First, I applied two coats of Gesso to smooth the surface of the canvas.
While that dried, I picked out the colors for the background. Here I tested them out in my sketchbook so I know they’ll look nice together.
Once the Gesso completely dried, I held my breath and applied the paint colors. I’m working intuitively here but still felt a little nervous.
Before even painting the colors onto the canvas, I looked at several surface techniques in the book Surface Treatment Workshop by Darlene Olivia McElroy and Sandra Duran Wilson.
I decided upon the plastic wrap resist technique. With this technique, you place a sheet of plastic wrap over the wet paint. You can stretch the plastic into linear patterns or pat it smooth.
Plastic wrap over canvas
Plastic wrap over canvas-detail
See all those lines and bumps? The trick with this technique is to let the paint dry before removing the plastic wrap. The drier the paint, the crisper the texture.
And now the big reveal…..
Paint texture
And a detail shot of the texture:
I was pleasantly surprised with how nice the texture came out.
I’ll leave you with this piece, “Trees Through the Forest,” almost finished.
Almost finished
The edges of the canvas have been painted. Since I took the above picture I removed the popsicle sticks and painted in tree trunks. I’m not sure if I need to add anything else to the canvas, so I’ll let things sit for a day or so. If the muse tells me the piece is done, I’ll put a hanger on the back and attach the polymer disks to the canvas.
I’m going to install this piece on Monday, August 5 so there isn’t much more time to agonize think about it. I’m meeting my deadline which was most important.
Musings from the Moonroom 