One of the paintings that I started in my class with Flora Bowley is finally complete. This piece is called “Ancestors.” The title was came to me while I was doing some research into my family history. Here are several pictures that document this painting’s evolution.
Oh goodness, I can’t believe it has been several weeks since I posted about my class with Flora Bowley. The month of March has passed so quickly. I haven’t forgotten about you. I’ve just been focused in another direction.
In my time away from the blog, I’ve received my level 2 Reiki certification, had a revelation about the direction I want to take in life, finished Flora’s class, and started researching my family tree in preparation for an upcoming trip. All good stuff.
I’ve continued to work on my paintings from the workshop. They’ve gone through several more iterations since I last posted. I refer to this as the awkward teenager stage. I like how they look. I don’t like how they look. They want more of a certain color. They want to be turned upside-down for a different perspective. They want attention. They want to be left alone. You get the picture.
This is how the two primary canvases looked at the end of my last post.
The Awkward Teenager Stage
Maybe this isn’t so much about the painting entering the awkward teenager stage as much as it is an extension of that stage. Certainly the last two pictures, which show each painting’s progress up to that point, look pretty awkward. And that is the great variable in this process. You can add as many layers, marks, and colors as you like. It all depends on when you feel like the painting is starting to come together and when the painting tells you that it is starting to come together.
Does that seem convoluted?
Anyways, after all those layers I applied in the first couple of weeks, I started to add imagery. The images can be abstract or real objects. They might stay in the final piece or they may completely change. It’s all up to intuition.
First Canvas Transformation
I spent quite a bit of time dancing with this angel on the canvas. Then I flipped the canvas upside down and a face appeared. (Apologies for the poor picture quality. I only took one picture at this stage using the camera on my phone.)
Sigh. First, I was really excited about the angel. And then that face appeared. The more I painted, or tried to paint around the angel, the more I knew that the angel was constricting my progress on this piece. She took up too much room. I felt like I was trying to create around her instead of with her. I like angels. But this one was cramping my style.
After a lot of hesitation and avoidance, I had to say “Buh-buh” to my angel.
This was hard to do. I was quite attached to the angel. But part of the intuitive painting process asks us to let go of things we don’t need at that moment. It doesn’t mean that the image won’t appear again in the same painting. It simply means letting go for now. And that can open us up to new and greater things.
You’ll notice that I committed to the face that appeared. Seriously committed to it. That face will become a permanent part of this painting. Below are a two more images.
Second Canvas Transformation
Here is the second canvas with the initial group of shapes and images that I added.
For whatever reason, I wasn’t “feeling it” when I put these shapes on the canvas. This has been a fairly consistent occurrence that I became more and more aware of during class. Often, I would paint on one canvas and really feel like I was in the flow. I’d move to the next canvas and seem to lose that momentum. Maybe this was a sign that I needed to take a break in between each piece. Maybe the music playing at that moment wasn’t right. I haven’t figured that one out, yet.
I proceeded to flip the canvas and focused on the large flower shape.
At this point I’m trying very hard to practice non-attachment to the painting. And to keep my loud-mouth negative voice, named Ester, from squashing the whole thing. One aspect we did agree on was that we really liked the small spirits that gathered in the upper right corner of the canvas.
At this point, I walked away from the canvas. I really didn’t like it. Other than the spirits, I wasn’t liking anything about this piece. So I did something drastic. I obliterated everything except the gathering of spirits. I painted dark and moody. I had a blast doing it too.
And then something magical happened. I looked around the studio. I decided to paint on the canvas the images of some art dolls hanging on my wall. This is when the winged creatures appeared.
Something clicked in this instant. Taking a giant leap had provided me with a new starting point. New potential. From here I began to add contrasting colors that made the winged creatures stand out. Now we were getting somewhere.
And that is where I’m going to end this post. Both canvases have transformed through wild colors and many layers. Images are being added, then obliterated or reworked. Each piece is coming into its own. Moving out of the awkward teenager stage and into a blooming piece of art.
Imbolc, also known as Candlemas, begins at sundown on February 1 and ends at sundown on February 2. It also runs concurrently with the feast of St. Brigid.
There is much to read about Imbolc and the feast of St. Brigid, so I won’t add more to that. Except to point you to one of my favorite descriptions about this holiday by Waverly Fitzgerald on her School of the Seasons website. And a post I wrote on Imbolc back in 2008.
I also came across this lovely song about St. Brigid by Celia, which prompted me to put together this post.
I listened to this song a couple of times and danced around the studio while it played. Moving the body is a great way to invite the creative muse to come and play. It also seemed appropriate because Brigid is also associated with creativity and creative ideas.
After dancing around the studio, I created this watercolor painting of St. Brigid in honor of her feast day.
Working intuitively, this painting came together in less than 2 hours. I love when I can dive in and let the creative flow happen. Sketching comes easily. Choosing colors of paint is less stressful. The negative voice becomes quieter when it knows I’m not listening to it.
If you enjoyed Brigid’s song above and want to sing along, the version below includes the words.
Brigid so beautiful. Brigid so powerful.
Goddess Brigid, peace weaver, healer, poet, queen. Melt the snow and bring the spring.
I’m embarrassed to see that I haven’t posted an update since the beginning of August. The month passed quicker than I expected. And though I thought about posting something here or there, my priorities were focused elsewhere. So, much like that first essay the teachers used to make us write in grade school, here are some pictures of art that I worked on this summer.
Anemia is an art doll that I first wrote about in June. Here are a few pictures of the finished piece. I hope to some day share more about the process of Anemia’s creation.
Trees Through The Forest
This piece was first introduced to you during the month of July.
More progress was shared in the early part of August
This piece now hangs at the Nashoba Valley Winery in Bolton, MA in the Bolton Artisans Guild’s display “Themes From Our Town” as part of Bolton’s 275th anniversary celebration. A few pictures of the finished piece is below. (Click on the first photo to start the slide show.)
Inspiration From Nature
As summer moves forward in our garden, I often find interesting mold and fungus sprouting on the mulch. Some of it can be both intriguing and repulsive. For a long time I’ve wanted to make something inspired by these molds and fungi. And this summer, a technique I found in Cynthia Tinapple’s new book, Polymer Clay Global Perspectives, made creating these fungi pods a lot easier.
For lack of a better phrase, as this work in progress as no formal name, this piece is simply inspired by nature.
What did you create this summer?
I’m sure you’ve been here. You have a deadline to meet. You’re knee-deep in a flurry of activity. Ideas seem to ooze from your brain. Maybe you write them down. Maybe you don’t and later forget them. And then it happens. That big, bad vacuum of black emptiness opens up. No ideas come to mind. You have no clue what to do next in the studio. You stare at the white canvas. No words come to mind and your fingers are frozen on the keyboard.
You have hit the proverbial wall in the creativity department.
My friends and I often talk about how we keep our creative muses active, especially when our muse decides to take an extended vacation. It seems to be a common topic that we re-hash over and over.
This time, instead of just talking about it, I decided to ask my friends and cohorts to send me their tips for sparking the creative muse. What follows is a collection of 24 tips to jump-start the muse.
Tips to Spark the Creative Muse
1. Keep a notebook: Jan Warren of Broadbrook Art recommends keeping a notebook handy at all times. Jan keeps her notebook next to her painting area. When she rinses her brushes or changes a paint color, Jan uses the pages of the notebook to remove all the color from the brush. Then, Jan says, “When I am feeling particularly bereft of creativity I open up the notebook and use whatever I have on hand to layer images or color over those paint blotches. This mixed media notebook then serves as color studies, technique trials…some even become final pieces for sale.”
2. Music & nature: Pat Krachune shares “When I need some inspiration, I listen to classical music and that usually gets my juices flowing to create. I also sit in my courtyard and look at my fountains and watch the birds….nature relaxes and inspires me! ” Pat also finds inspiration watching other artist’s videos on YouTube. Check out Pat’s work on her blog, Art 4 Liberty.
3. Schedule the time: Judy Warner tells us, “I go in my “studio” at the scheduled time and start something, or work on something that needs improvement whether I feel “creative” or not—and that usually seems to get me going.” Check out Judy’s paintings on her Facebook page
4. Take an adventure drive: Photographer Roxanne Marshal takes what she calls an “adventure drive”. “I just pick a direction and go. I usually come across landscapes and water vistas perfect to photograph and sometimes even some other interesting items as well. This really gets my brain cranking ideas for framed images – possibly even 3D or a mixed media piece.” See Roxanne’s photography on her site, A Picture’s Worth
5. Take a break: Deb Wolf of Deb Wolf Designs recommends taking a break for a change in perspective. “Step away from the painting with your hands behind your back. Taking a break and viewing your work with a fresh pair of eyes can really give you a new and fresh perspective on your work.” Deb also shared “Stress breeds Creativity, at least for me it does. While our work can be a stress inducer when we hit the proverbial wall, it also acts as a stress release sometimes producing good results on a piece.”
6. Observe: Paula Berry suggests observing everything in your environment. “While hiking, gardening or at the beach, I look really hard at some things. Texture and shape get my attention, whether it’s a natural item, waves, clouds, greenery. A plant from the time it emerges from the earth, grows, flowers and seeds intrigue me.”
7. Distraction: On the other hand, ideas often happen while working on another project. Again, Paula Barry shares “Drawing in my mind and problem solving while working on other clay work or while in the garden, walking or even driving in the car, when I least expect it, an idea comes to mind. I then find myself obsessing about the new idea until I can put in into action. Of course, at the time I tend to think it was a great solution to a problem or a great new idea. Sometimes, the idea is good. Sometimes, it doesn’t work out as intended, but the whole process is exciting.” You can see Paula’s ceramic art at Paula Barry Ceramics.
8. Drive, she said: Gina Belio of The Color Blue, also likes to take a drive to spark the creative muse. “Whenever I need inspiration, I drive. Sometimes I drive to the ocean or the mountains and sometimes I drive to a nearby store like Barnes & Noble. Partly this works for me because the art of driving frees up my mind from thinking and then it’s recess for my brain (and subsequently my muse!) The other reason why driving works for me is because I am mostly inspired by color and I can find color in any of these places – nature, books, cards, even in a cup of java! “
9. Go shopping! Seriously. Ritva Ojanen, jewelery designer, tells us that while many girls like to shop for shoes, for Ritva it is beads. “I have the same passion for beads. I shop on-line and go to bead stores and supply shows. I have to see with my own eyes and touch with my hands to make my choices from the seemingly endless array of colors, finishes, textures and shapes. I will buy whatever catches my eye even though I may not have a planned design in mind at that moment. I leaf through magazines, whether it be on art, nature, or fashion and these images will spark ideas for trying new color combinations. When I have a supply of beads handy it’s easy to just play and see what happens. This is the intuitive process I’ve developed and trust that something new will always come of it, just keep working.” This definitely results in beautiful pieces of jewelry. Visit Ritva’s website, Ritvaliisa Ojanen to see her eye candy.
10. Put your butt in the chair: For mixed media artist Sue Landsman, sparking the muse begins by putting your butt in the chair. “If you wait around for the muse to come, not only are you holding yourself hostage, but you’re also not doing your part to meet her half way. If you train yourself to just sit down and work, regardless of how you feel, more often than not you’ll find yourself getting into the groove. And anyway, something is better than nothing.” To see Sue’s imaginative work, visit Landsmania
11. Get back to nature: Art and tea enthusiast Karen Park recommends getting back to nature. According to Karen, “spending time in nature – watching a sunset, walking in the woods, working/puttering around in my garden – always helps me reconnect with my creative soul. You’ve probably noticed that some of my jewelry pieces are named after a nature experience – “Albuquerque Sky” or “A Winter Walk in the Woods under a Full Moon“, for example. Those are the moments that truly inspire me. My creative voice speaks in beads!”
12. Looks to her son: Dannylion tells us her son is her source of inspiration. “My son – who loves to work with his hands. He strings beads and when I see how hard he works for something vs. person who does not have autism or mental retardation doing that same task, it fills me with such emotion that I could do a bit of everything – I could write, I could work with polymer clay (my favorite), I could work with wire, I could make different things[knit or crochet], (cannot sew); but more importantly – I reinvest my time back into my son – reteaching him another creative method or project… He is my best teacher in life.”
13. Make some noise: Monotype & pastel artist Ann Gillespie suggest making some noise to wake up the creative muse. “I DO bang on a drum, shake a shaker, take a walk in the woods, sketch, do meditative collages etc, These things all help put me in a more intuitive mood for art. But sometimes they are also just creative ways to avoid getting in the studio to do the work I really want to! So for me these practices are best combined with my regular studio work. In general getting into the studio first thing in the morning is best, but I have also been trying to get used to working at any time of day. Short periods of time on a regular basis are infinitely better for me than no time at all, but also much better than long days just once in a while.”
14. Change the beat: Needle felt artist Lyn Slade recommends changing the beat to tempt the creative muse. “I’ll shake up the music in the studio, putting on a completely different style of music sometimes gives me a jump start.” Check out Lyn’s needle felt pieces on her website, Lyn Slade.
15. It’s a puzzle: Lyn also owns a bed and breakfast. Recently some B&B guests, who are also artists, suggested pulling out a jigsaw puzzle for sparking the creative muse. They commented that when they get stuck some times they pull out a jig saw puzzle…something about the different parts of your brain used in assembling a puzzle helps them. Oh, to read more about Lyn’s B&B, visit Charlotte’s House B&B
16. Listen: Watercolor artist Brenda Evans offers this advice. “I think the creative muse is always there and we have to learn to listen to it. I think it is a persuasive voice in our heads, not an imperative voice. Often we are too busy, maybe working to a deadline, but the inside voice is always there saying things like, “is that right?”, “stop and think about that”. I think when we are hands on being creative, the voice gets stronger and says things like, “but you could do this”, “look at it from this angle”, “there is something more exciting, you could do”, “stop now and do this”. It’s a wonderful voice, always looking out for your best interests, a bff if ever there was one.”
17. Shake it up: Karen McMillan, a Master Certified Retreat Coach, suggests variety when it comes to motivating the muse. A walk in nature, looking outside at trees and birds, listening to music, or breath and meditation.
18. Make a bargain: Jody Arthur, a Children’s Clothing Designer, suggests making a bargain with yourself. Look at your to-do list then make a bargain. “I’ll give myself permission to do this or that creative thing in return for getting this or that other thing done.”
19. Move it: Shelley West, a User Experience Specialist, suggests getting up and moving. Make a dance play list on Spotify or your music device of choice. When the muse is low, put on the play list and take a dance break. Exercise also works in the same way.
20. Rinse: You know how our minds seem so clear in the morning? Shelley also shares that the morning shower and humming while washing and rinsing her hair sparks new ideas.
21. Daydream: Barbara J Bolls-Guillory, Graphic Designer, Illustrator, and jewelry artist, reminds us that it is good to take time to daydream. She tells us that “going within to journey or indulging in daydreaming to open myself up to other ways of seeing/feeling/thinking.”
22. Delight the inner child: In addition to daydreams, Barbara also suggest delighting the inner child by “playing a game, drawing or coloring, or whatever fun activity that delights the kid in me.”
23. Eye-candy: With Internet bursting at the seams, eye-candy inspiration abounds. Pinterest. Flickr. Blogs and websites. Don’t forget the more traditional venues either-local art museums and art galleries-to spark the creative muse. Some museums also offer free drawing days where you can sketch inspiring images in the different galleries.
24. Clean it: One of my trusted approaches to waking the creative muse is to clean the studio. When work tables and the floor get too cluttered, the muse can’t breath. Taking time to clear the clutter opens up that breathing space and soon new ideas flow again.
How about you? How do you spark the creative muse? Please share your suggestions in the comments section below.
Another task in Christine Valters Paintner’s book, Eyes of the Heart, is to go on a meditative walk with your camera in hand. While on the walk, ask to “receive” images. So beyond just “looking” for pictures to take, the task is to really “see” what is around you.
In this post, I share with you some of my favorite images from my walk through Bowers Springs.
Come join me on my walk.
I recently started reading Christine Valters Paintner’s new book, Eyes of the Heart: Photography as a Christian Contemplative Practice. Photography has been one of my pastimes for many years. What drew me to this book was two-fold: Christine’s photography and my desire to learn again how to “see” images and not just “look” for images.
The online class that accompanies Christine’s book started this week. You might be able to still sign up for the class here.
I am working through the book at my own pace. The first assignment is a wonderful lesson in seeing a rather mundane object as something fresh and new. For me, this meant seeing my tea mug, which I use almost every day, in a new way. I set the timer for 15 minutes and received over 40 images in this short amount of time. Here are some of my favorites. (NOTE: Click on the first image in each set and you can see each picture in a slideshow.)
Tea Mug in the Kitchen
Tea Mug in the Dining Room
Tea Mug in the Family Room
Tea Mug on the Deck
Tea Mug on the Grass
Tea Mug on the Rocks
What is fun about this task is that once you open your eyes and heart to the object, you truly start to see it in a new light.
What every day, mundane object in your life could you look at in a new light?